My introduction to the Wes Craven film Deadly Friend from 1986 was in the year 2010, when I saw James Rolfe's compilation of cinematic head explosions on his website Cinemassacre. One particular clip came from that film, where an old lady – Anne Ramsey, Mama Fratelli from The Goonies and Momma from Throw Momma from the Train – had her head crushed and blown up by, of all things, a basketball, thrown at her by Kristy Swanson, the original Buffy the Vampire Slayer. It ended up sticking with me for a long time. I watched the film in full in around 2013, and it was in the summer of that year when I became familiar with its original source novel, Friend by Diana Henstell. I was entertained by the film but I grew to adore the book, which I bought on my Amazon Kindle.
I also read extensively online about how the initial film version wasn't what Craven – may he rest in peace – intended. He originally wanted to create a much more subtle, challenging film, dealing with dark subject matter but with a much heavier emphasis on the heart of the story. What was originally supposed to be a twisted yet poignant teen romance from beyond the grave was hated by test audiences and hardcore Craven fans, which gave the studio the bright idea to force Craven to turn his film into a needlessly goofy, gory splatter film a la A Nightmare on Elm Street. The end result was considered a mess. There was even a petition online to get the original cut restored and released to the public. Shout! Factory was interested, but couldn't get the rights from Warner Bros. Pictures, who had no interest in revisiting the film.
While a bummer, it's hard to blame them since the film was a critical and commercial failure upon its theatrical release, although they once toyed with the idea of a 3D re-imagining back in 2010, with them looking at Kristen Stewart for the lead role, but that never came to fruition. Shout! did secure a licensing deal with Warner Bros. earlier this year, so there may be a slight possibility, but only time will tell. It's because of all this that the film ended up becoming an obsession of mine. It was actually one of the things that got me interested in filmmaking and researching behind-the-scenes troubles of other films. For a long time, I've had several ideas in my head of how a new adaptation could be approached. I jotted my ideal plot, a remake of the earlier film that sticks closer to the tone of the original book, down on Google Docs back in 2016 and I've been adjusting it for two years.
After a tragic accident and the recent divorce of his parents, teenage genius prodigy Paul moves into a new town with his mother and his only friend, a robot he built named BB. Paul falls in love with Samantha, the beautiful girl next door who's abused by her alcoholic father Harry. When both BB and Sam are taken by the cruel winds of fate, Paul revives Sam by implanting BB's microchip into her brain, only to discover he's created a terrifying monster hellbent on righting the wrongs committed against her.
Paul Conway is a smart but troubled overweight teenager who is dealing with the divorce of his parents and the death of a classmate that he accidentally caused at his previous school. Paul, his newly single mother Jeannie, and BB, a robot he built and his only friend, move to the town of Welling. Paul now has to go to school at Mason Preparatory, where he will study neurology with Dr. Henry Johanson. Paul and BB become friends with Tom Toomey, a classmate who’s on the bottom rung and is the son of the town’s funeral home director. However, Paul is hated by the rest of the town, being called a troublemaking spectacle and chastised for being an agnostic.
While cleaning the yard one afternoon, Paul meets his next door neighbor, the beautiful Samantha Pringle. The two befriend one another and Paul finds himself falling in love with her. However, back home, Sam is physically and sexually abused by her alcoholic father Harry, who lets his rage out on Sam, usually when he arrives home in a foul mood after drinking heavily at the local pub, because of his wife Grace having an affair and leaving him due to his violent ways. When he beats Sam, he sees her as Grace. Sam later comes to see Paul as a source of comfort.
While walking around the neighborhood, Tom, Paul, and BB encounter ill-tempered recluse Elvira Williams, who threatens the boys with a shotgun and expresses instant dislike for BB, with the robot taking notice of her hostile attitude. The three then get into trouble with a biker punk gang led by bully Carl Denton, who finally decides to leave them alone when BB violently assaults him. At night, Sam delivers a housewarming gift to Paul and Jeannie as Paul takes Sam on a tour around his new house. Harry then comes by looking for her. Angry, he takes her back home.
Harry’s abuse often leads Sam with bruises and sends her into tears. Harry also shows a disturbing interest in Jeannie that’s unbeknownst to her and Paul, secretly peeping at her bedroom window one night and luridly leering at her while imagining raping her. Sam reveals that she can’t bring herself to call the police about the abuse because she fears that he would kill her if she did and he found out about it. Sam tells him about her mother Grace abandoning her and her hatred towards her and Harry. Paul sympathizes with Sam as his estranged father Tony cheated on his mother with another woman before they divorced. After being calmed down and comforted by Paul, they both admit that they have feelings for one another. The two then share their first kiss, which leads into them having a romantic relationship, beginning with them having a picnic together the next day.
On Halloween night, Paul, Sam, Tom, and BB decide to pull a prank on Elvira, with BB cracking the gate combination open and Sam ringing the doorbell. As alarms go off, Paul, Sam, and Tom hide in the shrubbery. BB stands near the porch, reluctant to leave. Elvira pulls her shotgun on the robot and shoots him, destroying him. BB’s death devastates Paul and makes Tom feel guilty. Sam comforts Paul the next day, noting that it’s hard to let go of a good friend. Tom, knowing he owes Paul one, puts together a funeral for BB. Paul appreciates it and forgives him.
Paul and Sam’s relationship continues to bloom as time goes by. When Sam sleeps with Paul in his room one night, he has a nightmare about the incident at his former school. His classmate was a senior named Bertram Lennard, who was constantly giving Paul a rough time and mocking BB. During class, Bertram and Paul got into a fight. Paul accidentally knocked over a tube filled with liquid chemicals. Bertram dropped his lighter on the chemicals, causing them to burst into flames, killing him. Paul has had nightmares of this event ever since, feeling guilty for Bertram’s death.
As Sam returns to her home, a drunk Harry is outraged that she has come back so late. He finds out she and Paul had slept together, enraging him. When Harry violently beats her and tries to rape her, Sam retaliates by hitting him in the head with his beer bottle and a glass vase. Harry then slaps her and pushes her down the stairs, rendering her brain-dead and unconscious. Sam is taken to the hospital, where a doctor tells Paul that Sam will be put on life support for twenty-four hours until the plug is pulled. A distraught Paul runs away, the thought of losing her being too much for him to handle. Paul then remembers that BB’s A.I. microchip can interface with the human brain, so he concocts an idea to use the chip to bring Sam back to life.
Convincing a reluctant Tom to help him, the two enter the morgue and retrieve Sam’s body. The body is then taken to the lab at Mason Preparatory, where he inserts the microchip into Sam’s brain. During a rainstorm outside, lightning strikes the building, goes into the microchip in Sam’s brain, and electrocutes Paul, causing him to go into a three-day coma. After awakening in the hospital and coming back home, Paul is visited by Tom, who reveals to him that Sam is hiding in the equipment shed at the football field near the school. The two find her, only to notice rats biting her toes, frightening them. Paul touches her elbow pit, acting as an on and off switch. Sam awakens, her resurrection caused by the combination of the chip and the lightning, but her mannerisms are completely mechanical, suggesting that BB is in control of her mind and body.
Keeping Sam a secret from Jeannie and the rest of the town, Paul takes her back to his home and teaches her, helping her re-learn how to walk and talk. He also bathes her and gives her a set of clothes for her to wear. However, Sam’s body decomposes as time goes by, with yellow pus oozing out of her eyes, a scarred and rotting face, skeletal toes, and wires sticking out of her head. Blue eye shadow also forms itself around her eyelids, representing her humanity being lost. Even as her body falls apart, Sam continues to adapt to her new form and show greater skill at movement and understanding.
The town police, including Volchek and deputy Emmett Sidowsky, arrive at Sam’s house one afternoon and inform Harry that her body has disappeared, with Volchek suspecting that Harry did it and also is responsible for Sam’s death. Meanwhile, Jeannie, currently going out with Peter Bayard, the assistant headmaster and dean of Mason Preparatory, struggles with giving Paul space and wanting to mother him and also struggles with dating Peter and wanting Tony back in her life. This, along with Paul trying to keep Sam a secret, ends up putting their relationship on thin ice. One day at school, Paul asks Dr. Johanson if he’s ever thought about life after death. Johanson, a Catholic, believes that science should be concerned with the implementation of life and not the replacement of life and says that those who try to play God would have to pay the ultimate price.
At night, while Paul’s asleep, Sam goes back to her house and into her room, which Harry hears. Harry enters the room and turns around slowly to find Sam standing behind him. Horrified, he pleads with Sam not to hurt him and that her death was an accident. Sam seems to understand at first, but then breaks his wrist and snaps his neck, killing him. After avenging her death at the hands of her father, Sam now seeks to avenge herself upon Elvira Williams. Elvira quickly catches a glimpse of Sam outside her bedroom window, but thinks it’s just her imagination. Elvira also finds her shotgun missing but hears the sound of the weapon loading. She turns around slowly and Sam, having broken into the house, shoots and kills her. Paul wakes up in the middle of the night, after having a nightmare where a blood-coated Sam stands beside him, and discovers that Sam is gone.
Paul convinces Tom to help him search for Sam and they end up discovering Harry and Elvira’s dead bodies, with the latter revealed to have been decapitated. They eventually come to the conclusion that Sam is going on a murderous rampage to right the wrongs committed against her, Paul, and BB. Jeannie learns from Dr. Johanson that Paul hasn’t been at the university in days and confronts Paul over this. Paul’s father Tony comes to town, claiming that he’s a changed man and wants Jeannie and Paul to come back with him, but Jeannie will have none of it, saddening and angering him.
Jeannie discovers what has been going on with Paul and Sam, after seeing that Tony has been killed by Sam. Jeannie calls out Paul for his entitlement and his inconsideration of what Sam would’ve wanted, something he didn’t think about before. Wanting to put an end to this, Tom leaves to contact the police. Overhearing them, Sam, still being protective of Paul, jumps out the attic window, attacks Tom, and stabs him in the chest with a shard of glass, with Jeannie intervening. Paul convinces Sam to stop. Sam, quickly coming to her senses, then runs away, with her vision switching between human and robotic. While Jeannie stays with a dying Tom, Paul goes after Sam. Whilst doing so, Paul is confronted by Carl, who mocks and intimidates him, and they get into a fight. Carl gets killed by Sam by being brutally stabbed in the back and through his heart with a wrench.
With the police discovering her, Sam causes mayhem in the town, with several people getting injured and killed in the process. Sam then runs back to Paul’s shed, frightened and confused. Paul finds her and tries to persuade her to let him get them help but fails. A distraught Paul tears up, feeling guilt and remorse over his decision to resurrect her and resenting himself for using her as a vessel for BB, calling himself a monster. Sam’s vision keeps switching between human and robotic, with Paul discovering this. She then tenderly says his name, indicating that she is regaining her humanity and is now in control instead of BB. Realizing his love for her outweighs everything else, Paul and Sam embrace.
However, the two are discovered by Volchek and Sidowsky, causing BB to take control of her once again. The two engage in a car chase with the officers before they crash on the bridge, killing them on impact and sending them off, landing in the river. Paul crawls out and drags an unconscious Sam with him. Sam eventually wakes up, vomiting and coughing blood. She has finally regained her humanity. However, knowing she is about to die a second time, she tells Paul to come with her as she does not want to be alone. She also tells him that she loves him and gives him a kiss. Paul, realizing that she’s afraid of death, decides to go with her. As Jeannie races to the bridge, Sam jumps first, with Paul following her shortly afterwards. The two die drowning in the river and are now in oblivion, together forever.
The character of Paul is a rather complex one, to say the least. What makes the character so special in the book is that he feels real, and that's what I wanted to convey here. He's a troubled, lonely kid who clearly has issues stemming from his past. What makes him unique is that while the character is a sympathetic one, you still understand that the actions he takes in regards to Sam's death aren't the right ones and that the path he's on is a dangerous one.
The character of Sam is the heart of the story. In contrast to Paul, whose pain lies in the past, Samantha's pain is still ongoing. It's through abuse and tragedy that the two connect and form a very close bond with one another. Sam's a victim of abuse, and I want to portray that side of the character as realistically as possible. She wants it all to stop but is afraid of what would happen if she tried to put an end to it.
Paul can relate to Sam's ongoing pain and her anger as a result of her parents' separation from personal experience. Even when Sam is turned into a murderous creature, Paul can't let her go nor let nature take its course no matter what she does. She's a monster, but he still loves her, because he understands why she's become a monster. The image of a lonely boy dragging his dead friend through the streets in the dark of night and cold of weather is undoubtedly effective.
One of the most interesting characters in the story is Harry, Samantha's father who routinely beats her and makes her do everything around the house, from cooking to cleaning. He uses her as a vent for his rage and feelings of jealousy and rejection. What makes him so interesting is that there's no attempt to make Harry's character sympathetic because of his actions but at the same time we are able to understand why he is the way he is.
Samantha, even when she's brought back to life as a monster that kills people, isn't the true villain of the story. The true villain is the town of Welling, specifically its people. People who don't care about the world around them. People who know what's going on with Samantha back at home but don't care enough to do anything about it. They just go on with their lives. It's this type of callousness that's arguably the most frightening aspect of the story. It's them where the true evil resides within, not Samantha, living or dead. It's a story about the unpredictability of those around her and the evil that men do. It's a story about meddling within the domain of a much grander power.
This is undoubtedly a very dark, gloomy, and depressing tale. You want to focus on the danger of this situation and the brutality of the carnage that ensues, but you also you want to let the audience take a breath and relax with moments of Paul and Sam getting closer and forming a strong, loving bond. A good balance needs to be achieved because otherwise it will be too jarring and out-of-place.
For Sam's rampage, I don't want to compromise the violence – with what I want to do with the story, a PG-13 rating is entirely out of the equation – but at the same time, I don't want to go needlessly over-the-top with it, because it will come off more funny than disturbing. A recreation of the infamous basketball scene is also out of the equation. For one, you can't top the sheer so bad it's good craziness of the original scene no matter how hard you try. Second, having that scene would immediately take you out of the experience.
10 years earlier 10 years later 80s 90s action Adaptation adventure Animation Based on Animated Series based on book based on comic based on comic book based on tv series Based on video game batman biopic Book christmas comedy comic adaptation comic book crime Crossover DC DC Comics Disney drama epic family fantasy Game History horror Idea-for-TV kids Live Action live-action martial arts Marvel Marvel Comics Music Musical mystery reboot remake romance Sci Fi sci-fi science fiction scifi Sequel Spy Superhero supervillain suspense teens thriller videogame adaptation war western